Gallery sale - Beautiful Art, Beautiful prices


Eucalyptus Reflections

 

 

The Gallery at the Network in San Luis Obispo, Ca, where I am co-owner, is having a Gallery Sale. We had an excellent holiday season, but due to the economy have decided to invite our artists to put many of their pieces of artwork on sale during January 2012.

I would like to offer anyone reading this blog the same discount that I'm offering at the Gallery which is:

10% off originals

15% off currently framed prints

20% off unframed giclee prints

Let me know if you are interested at dmhawthorne@yahoo.com

 

 

 

 

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Plein Air Poetry 2011


Solitary Path

I again teamed up with a poet during the SLO Museum of Art Plein Air Painting Festival. This year my poet was a delightful and talented young poet, Benjamin Daniel Lawless. To see more of his work, visit penciledin.com

 

Art with a horse

While trying to write a poem for the Plein Air Festival,
I kept getting distracted by a horse on the other side of a fence.
This horse seemed normal enough,
eating grass,
sauntering,
nudging her water trough.
Everything was absolutely ordinary about her,
save for the fact that this regular horse
was wearing a blindfold.

I walked over to the fence.
“Excuse me.” I tried to get the horse’s attention.
“Mmmm?” she replied, not looking up.
“I’m really sorry to bother you, but I was wondering
why are you wearing a blindfold?”

“A blindfold?” The horse asked me back. “Isn’t it obvious?”
“Please, humor me.”
“I wear a blindfold,” she explained,
“because I am the world’s finest art critic.”

“Well, maybe I shouldn’t tell you this,
but there is an artist painting right over there,
not twenty feet from you.”
“Of course there is,” replied the horse.
“I’m the most superior equine around.
Not only do I know fine art,
I am fine art.
Make sure she gets the right color for my tail, would you?
Just look at my tail!”

“Sorry, but it looks like
she’s really focusing on a eucalyptus tree
down the road.”

“Oh? I’ve never seen it.”

“Of course you haven’t.
You have a blindfold on,” I reminded her.
“How can you be such a great art critic
with that thing over your eyes, anyway?”

“Well, the less I see,
the less impressed I am,
and a good critic is seldom impressed.”

I said my goodbyes as quickly as I could,
and decided to never again
talk art with a horse.

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Seasons


Dinosaur Caves Morning, pastel

I've just put together an artist statement for my coming show at the San Luis Obispo Museum of Art.

 

Seasons


Seasons create rhythms in our lives and mark the progression of time. I grew up in the Midwest where seasons are distinct and seasonal changes are dramatic. In contrast, the seasons on the Central Coast of California are much more subtle, but just as significant.  Especially as a plein air painter, I have become acutely aware of our cycle of seasons each with distinct moods and progressive changes.

 

Looking back on the series of paintings that I have completed in preparation for this show, I see that I have followed the annual cycle of birth, growth, and decay in plants, trees, and foliage. In addition I have noted the changing colors and atmospheric conditions of fog, wind and sunshine, and the changes in the intensity and color of light typical for each season.

 

To capture the natural light and experience nature directly, I began most of these paintings on location and completed them in my studio

 

I have chosen to work in pastel for this exhibit. Pastel is a wonderful medium to use when painting outside as well as in the studio because it is immediate, direct, and versatile. I can carry multiple colors and tones with me and can quickly apply them without mixing. Pastels are pure pigment with very little binder, so they are permanent, durable, and colorfast when under glass. I can use a variety of techniques from strong, textured, and vigorous strokes to blending the pastels to create many different effects.

 

Robert Henri has stated in The Art Spirit that he believes “Art is the means to jolt ourselves and others awake to the wonder of being alive in this stupendous universe.” We are surrounded by natural beauty here on the Central Coast and my hope is that these paintings reawaken an awareness and awe for the gifts we are given throughout the seasons of the Central Coast.

 

 

 

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Annual SLOPE show


Coral Aloe

     The San Luis Outdoor Painters for the Environment (SLOPE) are making final preparations for this year's show at the San Luis Obispo Botanical Gardens, "A Mediterranean Fete". This year's show should be a little different with Art, Music and Food Celebrating the Botanical Gardens 22nd Anniversary. The Gardens will be set up with art, food and music at each of their five areas that emphasize different Mediterranean areas of the world. There will also be SLOPE paintings in their straw bale Visitor Center. This painting of Aloe was painted plein air in their cactus garden.

For more information or tickets, visit www.slobg.org

 

 

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For Erin Skow


Early Light on the Pacific Coast

The daughter of a good friend of mine was recently diagnosed with liver cancer. She is a lovely young woman with two young children. She and her husband both work full time, but were unable to afford insurance. Her cancer treatments are showing some success, but are very expensive and are very debilitating, making it hard for her to work.  You can read her story on "Erin's Story" at www.erinsstory.org.

 

I have decided to offer prints of "Early Light on the Pacific Coast' for sale and I will donate all of the proceeds to Erin's Medical Fund. If anyone would like to purchase a print, they are available in 9 x 12 for $85 and 15 x 19 for $200.

If you would like to make a purchase, please contact me through "Contact the artist" and indicate that you would like the purchase price to go to "Erin's Fund" .

 

Thanks so much.

 

 

 

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Poppies


"Wildflower Extravaganza" pastel

Our Gallery, The Gallery at the Network in SLO, is celebrating Spring with ALL THINGS POPPY II. There are new wildflower themed paintings and photographs as well as works in glass, ceramics, jewelry, silk and wood.

 

We're also having a drawing for a $75 gift certificate. Anyone who sends the gallery an email (galleryatthenetwork@gmail.com) with the word "poppy" in the subject line is entered in the drawing.

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Email Newsletter


"Mustard Seed Arroyo" pastel

Dotty just sent out her February 2011 Newsletter. To be added to her list, please sign up under Email Newsletter.

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Plein Air Painting and Poetry II


Into the Morning, Resevoir Canyon

This year (2010) I was paired with poet, Glenna Luschei, during the Plein Air Painting Festival. We met in the early morning when the mountains were still in shade. As the light covered the mountains, I painted and Glenna composed this poem:

 

Layering the mountains

Glenna Luschei


Under the dawn

              buttermilk sky we come upon that winding

road which leads us to a new season.

 

All voyages require preparation and this one commands

an easel, campstool, a case  of  pastel

      nubs arranged by color.

 

jewels out of the Arabian nights.  A parasol

     for the fierce sun and a camera,  Every traveler

 

carries a camera, even a painter, or especially a painter.

 

We watch the sun break through a cloud.  The poet claims,

:this is the most beautiful time of year oak trees backed

 

by golden hills.  The artist spikes the gray on canvas mountains

    with orange and yellow pastels.  She says,  "On the foreground

 

more intense colors.  Move back colors get softer, gray.

If it waits too long to rain the hills will all turn brown."

 

Rain is coming to bless us,  We can smell it feel it, prickle

on the skin.  Rain will not desert us, old friend from far back.

 

Something about to happen,  That road holds promises for us.

We enter it together, many layers of pigment signal a long life,

 

each stop, more pastel.  No turning back Everything will change

on the Coastal Range. 

 

We will not be the same as when we started off.

 

We enter Reservoir Canyon Road which the rains will fill,

where our dreams will overflow,  It has the capacity to hold

 

all we desire.The artist says, "This road leads us back

into the painting."  She paints into the morning.

 

The poet takes her leave from the campsite, the easel, the stool,

the jars of fluid.

 

the parasol and the camera and that beautiful box of pastel jewels.

 

Light hearted, the poet skips away with only a number two pencil

and one piece of paper.                                                                                                  

 

 

  Glenna Luschei

 





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Painting and Poetry


Johnson Ranch Shadows

During the Plein Air Painting Festival sponsored by the San Luis Obispo Museum of Art, a poet is matched with a painter. They spend several hours together, the painter painting and the poet creating a poem. An evening session presents the newly created painting with the poet sharing their poem. Last year I was paired with Nixson Borah, who created the following poem as I painted at the Johnson Ranch Trail:

 

September Light and Shade

 

                                    We are bound to our rectangles,

                                    she and I.  She draws colored patches

                                    —a quilt against the growing cold—

                                    with dry sticks of colored dust

                                    as I scratch words in trails of ink

                                    that leave aerial views of vineyards

                                    framed by my journal’s page.

 

                                    I explore the terrain while she sits

                                    on the ground, under a broad straw hat.

                                    I walk a creek-bed of cracked mud

                                    that's studded with stones.

                                    Under a massive cluster of poplars,

                                    a collapsed truck lies rusting,

                                    heavy as dropped fruit.

 

                                    In the distance, the Irish Hills

                                    pale against a sky dulled

                                    by incipient fog. The space

                                    between here and there

                                    is layered—detail overlaps mass,

                                    intensity comes before gray.

                                    Wind from Morro travels

                                    the road toward us, bringing

                                    a soft rasping of leaves

                                    as if chapped hands were washing

                                    with dirt, wanting rain. In an hour,

                                    the trees will be silent silhouettes.

 

                                    She loves the Venetian moment, 

                                    this modern daughter of Monet,

                                    when late afternoons mellow

                                    to amber, butter the trunks

                                    of sycamores and illumine

                                    even oak leaves with gold.

                                    Rounded hill slopes,

                                    powdered with dry grass,

                                    become the limbs of a Titian nude

                                    seen through honeyed varnish.

                                    Racing to beat the shadows,

                                    she pays homage to this light. 

 

                                    Disciplined, she has chosen

                                    the characters she wants in her play

                                    and taped-off her proscenium.

                                    Nothing is admitted from outside it.   

                                    Left out are the collies and Labradors

                                    exercising their owners. Ignored,

                                    this wandering poet-observer.

 

                                    Her drawing board is a fragile shield

                                    against the wind that strives mightily

                                    to overturn it and smear the pigments

                                    onto her lap. Darkness

                                    will soon obliterate the scene.

                                    But against all chaos and destruction

                                    she has assembled a golden defense.

 

 

            Nixson Borah

            Atascadero



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Radio Interview


Squire Canyon Eucalyptus

Dotty will be interviewed on "Ears on Art", a bi-monthly radio program featuring the arts on KCBX Public Radio (90.1 FM). Crissa Hewitt and Steven deLuque, hosts, will be  discussing her interest in art, focusing on the medium of pastel.  The program airs at 4:30pm pst on Wednesday, November 3, 2010.

To listen to the program online, visit  http://kcbx.org/mp3archive/eoa101103.mp3

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